tag:blogger.com,1999:blog-36981500993506272062024-03-04T20:28:56.620-08:00isabel cava no vale verdeisabel valverdeDance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.comBlogger18125tag:blogger.com,1999:blog-3698150099350627206.post-37021125889388120982016-06-15T10:45:00.003-07:002016-06-15T10:46:23.226-07:00Conferência Interfaces Dança-Tecnologia @ Encontros da Radicalidade Impossível<div dir="ltr" style="text-align: left;" trbidi="on">
Convite para esta conferência nos novos ENCONTROS da RADICALIDADE IMPOSSÍVEL<br />
Este Sábado 18 no Centro de Cultura Libertária em Cacilhas<br />
<br />
<a href="http://culturalibertaria.blogspot.pt/2016/06/conferencia-interfaces-danca-tecnologia.html">http://culturalibertaria.blogspot.pt/2016/06/conferencia-interfaces-danca-tecnologia.html</a><br />
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Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com02800-269 Cacilhas, Portugal38.6861358 -9.14927539999996513.031064300000004 -50.633650399999965 64.341207300000008 32.335099600000035tag:blogger.com,1999:blog-3698150099350627206.post-76457850930344872802015-08-21T11:58:00.001-07:002015-08-21T12:11:46.849-07:00Baxter learning to dance<div dir="ltr" style="text-align: left;" trbidi="on">
Sharing a video by Nuno Leite of the first HRI experiments dancing and relating physically with Baxter humanoid robot @ <a href="http://gaips.inesc-id.pt/gaips/">GAIPS</a>/INESC-ID/IST/Taguspark. The inclusive somatic-technological dance approach aims to develop the amazing HRI possibilities offered by Baxter despite its apparent movement and interactive limitations.<br />
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In collaboration with Kim Baraka, Ana Moura, Tiago Ribeiro and Hang Yin. <br />
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Comments are very welcome !!! <br />
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<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/4L1bZLyAg14" width="480"></iframe></div>
Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com1O Parque Taguspark, Avenida Doutor Mário Soares ED 11, 2740-256 Oeiras, Portugal38.7453154 -9.307285099999944613.702094900000002 -50.615879099999944 63.7885359 32.001308900000055tag:blogger.com,1999:blog-3698150099350627206.post-71330369012768218762015-05-30T08:27:00.001-07:002015-05-30T18:52:39.690-07:00Residency @ Casa de las Artes de Alanís, Sevilha<div dir="ltr" style="text-align: left;" trbidi="on">
<a href="http://laboratoriosld.blogspot.com/2015/05/workshop-danzar-con-avatares-taller.html?spref=bl">LaboratorioSLD: WORKSHOP Danzar con AvataresTaller impartido por I...</a>: WORKSHOP Danzar con Avatares Taller impartido por Isabel Valverde dentro de la residencia de creaciOn de Parad is0 no hay Billetes...<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXUsdmu1YOyt7wDHBdpvGyUpNaSunUACz_GZmT8V11R-AEqJi0fonn1r9rNoQDdi-XRMl-PyT25t5yBBsiU6Z2lldSZ7wQ_ZShwnIfvN14JSlPLSRt2I3vYAq_ZnLbbcu7ovLJe0LbsDKD/s1600/TALLER+AVATARES.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXUsdmu1YOyt7wDHBdpvGyUpNaSunUACz_GZmT8V11R-AEqJi0fonn1r9rNoQDdi-XRMl-PyT25t5yBBsiU6Z2lldSZ7wQ_ZShwnIfvN14JSlPLSRt2I3vYAq_ZnLbbcu7ovLJe0LbsDKD/s400/TALLER+AVATARES.jpg" width="282" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">© Maria José <span class="gI">Criado Antúnez/Casa de las Artes Alanís; </span><br />
<span class="gI">photos: left - Giorgio Sacher, up-right - Liz Solo, down-right - Kikas Babenko</span></td></tr>
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Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com041380 Alanís, Sevilla, Spain38.037553 -5.713529900000025938.025047 -5.7336999000000262 38.050059000000005 -5.6933599000000257tag:blogger.com,1999:blog-3698150099350627206.post-17983951855675561922015-05-08T09:56:00.000-07:002015-05-08T11:38:30.600-07:00Workshop Posthuman Corporealities @ Metabody Forum Madrid<div dir="ltr" style="text-align: left;" trbidi="on">
Workshop Posthuman Corporealities @ Metabody Forum Madrid<br />
La Casa Escendida<br />
July 15, 2015<br />
Registration open / Inscrições abertas<br />
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<a href="http://www.lacasaencendida.es/es/cursos/metabody-corporalidades-posthumanas-3411">http://www.lacasaencendida.es/es/cursos/metabody-corporalidades-posthumanas-3411</a><br />
<br />
All the Metabody Workshops<br />
<a href="http://www.lacasaencendida.es/es/grupo-cursos/talleres-metabody-4397">http://www.lacasaencendida.es/es/grupo-cursos/talleres-metabody-4397</a><br />
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Metabody EU Project<br />
<a href="http://metabody.eu/">http://metabody.eu/</a><br />
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Posthuman Corporealities > Network Festival Symposium<br />
<a href="http://posthumancorporealities.weebly.com/">http://posthumancorporealities.weebly.com/</a><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinsa3aEipbyHaHgq7_inM-PPwjsU68lax4lLomsI4VNpHkpuU3luqmMpoKa-ymECfvtakn_dBNEtvdBYWzJbP0XH7k3FIHJhjzYFNGjfmjNpG8sNFEliaUVProrkrVpQe8b9IZ9yTxwZkp/s1600/sensesplacespic3%C2%A9lizsolo.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinsa3aEipbyHaHgq7_inM-PPwjsU68lax4lLomsI4VNpHkpuU3luqmMpoKa-ymECfvtakn_dBNEtvdBYWzJbP0XH7k3FIHJhjzYFNGjfmjNpG8sNFEliaUVProrkrVpQe8b9IZ9yTxwZkp/s320/sensesplacespic3%C2%A9lizsolo.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">© Liz Solo - Senses Places @ Hi-Dance Festival 2015</td></tr>
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Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com12La Casa Encendida, Ronda de Valencia, 2, 28012 Madrid, Madrid, Spain40.4059523 -3.69984369999997414.750880800000004 -45.184218699999974 66.0610238 37.784531300000026tag:blogger.com,1999:blog-3698150099350627206.post-5532697468441518762012-12-12T04:00:00.000-08:002012-12-15T12:52:47.106-08:00Senses Places @ 121212 UpStage<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: large;"><i><b>Senses Places </b></i></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: large;"><i><b>Mixed Reality Performance and Participatory Environment</b></i></span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: large;"><b>@ 121212 Testing </b></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: large;"><b>Upstage Festival of Cyberformance</b></span></span><br />
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<b>Recording of 2nd Performance and Participatory Environment</b><br />
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<b>Invitation to watch the video of Senses Places - Mixed Reality Performance and Participatory Environment, posted live during 121212 UpStage Festival of Cyberformance from Up... - http://new.livestream.com/accounts/844901/events/1720827/videos/7760012<br /><br />Sincere comments and feedback are very welcome<br />All the Thanks!!! :D </b><br />
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<b>Convite para observação de registo video do projecto
Senses Places - Performance e Ambiente Participativo em Realidade Mista
gravado ao vivo durante o 121212 UpStage Festival of Cyberformance no
canal Livestream do Upstage <br />http://new.livestream.com/accounts/844901/events/1720827/videos/7760012 <br /><br />Comentários e feedback sinceros são bem vindos<br />Obrigada!!! :D</b><br />
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<iframe frameborder="0" height="360" scrolling="no" src="http://new.livestream.com/accounts/844901/events/1720827/videos/7760012/player?autoPlay=false&height=360&mute=false&width=640" width="640"></iframe><br /></div>
Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0tag:blogger.com,1999:blog-3698150099350627206.post-84883566302021530722011-11-24T14:44:00.000-08:002011-11-24T14:44:22.000-08:00RTP - SOCIEDADE CIVIL<div>Projecto Senses Places no Sociedade Civil</div><div>Senses Places Project at Portuguese TV/Sociedade Civil</div><div><br /></div><a href="http://ww1.rtp.pt/programas-rtp/index.php?p_id=23283&c_id=1&dif=tv&idpod=67071#.Ts648dmXlwg.blogger">RTP - SOCIEDADE CIVIL</a>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0tag:blogger.com,1999:blog-3698150099350627206.post-89826125822818133332011-11-21T12:37:00.000-08:002011-11-21T12:37:37.143-08:00Linden Endowment for the Arts: Mixed Reality Participatory Performances at InterACT! on LEA4<a href="http://lindenarts.blogspot.com/2011/11/mixed-reality-participatory.html#comment-form">Linden Endowment for the Arts: Mixed Reality Participatory Performances at InterACT! on LEA4</a>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com1tag:blogger.com,1999:blog-3698150099350627206.post-62729034397764009422011-08-22T11:02:00.000-07:002011-08-22T11:04:18.742-07:00SENSES PLACES Dance-Technology Workshop 4<div dir="ltr" style="text-align: left;" trbidi="on"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://www.blogger.com/goog_1795696115" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtEHa_dxo5r-e7AvLys-eqokJlYpUAMOBZ7oHQ941e5aQTVL0hkOb1-9k4Ge_dqKHqslnxC14kPBAxY8A298Uqw2o0D9XUxlDIRF0JiMuyzAGHh2wJtptj0OKaovZFKrJ-glN663U6LKdR/s320/DH_007.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Testing video broadcasts with Digital Hollywood </td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
</tbody></table><div class="MsoNormal" style="background: white;"><span style="color: black;"></span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white;"><span style="color: black;"></span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white;"><br />
</div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white;"></div><div style="color: blue; text-align: center;"><span style="font-size: x-large;"><b>SENSES PLACES × Digital Hollywood</b></span></div><div style="text-align: center;"></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white;"><span style="color: black;"> <span style="color: blue; font-size: x-small;">Isabel Valverde</span></span><span style="color: blue; font-size: x-small;"><span style="font-family: "Arial Unicode MS";"> 先生</span> <span style="font-family: "Arial Unicode MS";">ワークショップ</span><br />
<span style="font-family: "Arial Unicode MS";">パフォーマーとアバターによるパフォーマンス制作、インタラクションの研究を通じて</span><br />
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<span style="font-family: "Arial Unicode MS";">日時</span><span style="font-family: "Apple Symbols";">:8</span><span style="font-family: "Arial Unicode MS";">月</span><span style="font-family: "Apple Symbols";">23</span><span style="font-family: "Arial Unicode MS";">日</span><span style="font-family: "Apple Symbols";">(</span><span style="font-family: "Arial Unicode MS";">火</span><span style="font-family: "Apple Symbols";">)</span>18:00<span style="font-family: "Apple Symbols";">~</span>21:30<span style="font-family: "Arial Unicode MS";"> </span><span style="font-family: "Apple Symbols";">(</span><span style="font-family: "Arial Unicode MS";">開場 </span>17:30<span style="font-family: "Apple Symbols";">)</span><br />
<span style="font-family: "Arial Unicode MS";">場所</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";">秋葉原ダイビル</span><span style="font-family: "Apple Symbols";">7</span><span style="font-family: "Arial Unicode MS";">階</span><br />
<span style="font-family: "Arial Unicode MS";">デジタルハリウッド大学・大学院 </span>ROOM-5,6</span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;"> <span style="font-family: "Arial Unicode MS";"></span><a href="http://gs.dhw.ac.jp/">http://gs.dhw.ac.jp/</a> <br />
<br />
<span style="font-family: "Arial Unicode MS";">対象者</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";">ダンサー、パフォーマー、研究者、プログラマーなど</span><br />
<span style="font-family: "Arial Unicode MS";">注</span><span style="font-family: "Apple Symbols";">)</span><span style="font-family: "Arial Unicode MS";"> ノート</span>PC<span style="font-family: "Arial Unicode MS";">を持参してください。</span><br />
Wii<span style="font-family: "Arial Unicode MS";">を持ってこれる人は、持ってきてください。</span><br />
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<span style="font-family: "Arial Unicode MS";">募集人数</span>:20<span style="font-family: "Apple Symbols";">-</span>30<span style="font-family: "Arial Unicode MS";">名</span><br />
<span style="font-family: "Arial Unicode MS";">参加費</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";">無料</span><br />
<span style="font-family: "Arial Unicode MS";">懇親会</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";">自由参加、実費</span><span style="font-family: "Apple Symbols";">(</span>500<span style="font-family: "Arial Unicode MS";">円程度</span><span style="font-family: "Apple Symbols";">)</span><br />
<br />
<span style="font-family: "Arial Unicode MS";">申し込み</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";">申し込みフォーム</span><br />
<span style="font-family: "Arial Unicode MS";">連絡先</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";">吉田悠樹彦</span>yukihiko@s6.dion.ne.jp<br />
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<span style="font-family: "Arial Unicode MS";">協力</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";"> デジタルハリウッド大学大学院 メディアサイエンス研究所</span><br />
<span style="font-family: "Arial Unicode MS";">三淵研究室・羽倉研究室</span><br />
<span style="font-family: "Arial Unicode MS";">コーディネーター</span><span style="font-family: "Apple Symbols";">:</span> <span style="font-family: "Arial Unicode MS";">吉田悠樹彦</span><span style="font-family: "Apple Symbols";">(</span><span style="font-family: "Arial Unicode MS";">舞踊研究者</span><span style="font-family: "Apple Symbols";">)</span><br />
<br />
SLURL: <a href="http://slurl.com/secondlife/Koru/233/233/3005">http://slurl.com/secondlife/Koru/233/233/3005</a> </span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;"> <br />
<br />
<span style="font-family: "Arial Unicode MS";">当日の流れ</span><br />
<span style="font-family: "Arial Unicode MS";">【プログラム内容】</span><br />
<span style="font-family: "Apple Symbols";">1.</span>Dr. Valverde<span style="font-family: "Arial Unicode MS";">先生の紹介 </span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";"> 通訳</span><br />
<span style="font-family: "Apple Symbols";">2.</span><span style="font-family: "Arial Unicode MS";">デジタルハリウッドの関連研究の紹介</span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";">三淵先生</span><br />
<span style="font-family: "Apple Symbols";">3.</span>Valverde<span style="font-family: "Arial Unicode MS";">先生 ワークショップ </span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";"> 通訳</span><br />
<span style="font-family: "Apple Symbols";">4.</span><span style="font-family: "Arial Unicode MS";">ディスカッション・まとめ </span><span style="font-family: "Apple Symbols";">:</span><span style="font-family: "Arial Unicode MS";"> 吉田悠樹彦先生</span><br />
<span style="font-family: "Arial Unicode MS";"> </span></span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;"><span style="font-family: "Arial Unicode MS";">ワークショップ概要</span>:<br />
SENSES PLACES × Digital Hollywood<br />
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<span style="font-family: "Arial Unicode MS";">海外では</span>200<span style="font-family: "Arial Unicode MS";">年代後半ぐらいから次第に立ち上がってきて盛んになってきた試みだが、ダンス、パフォーマンスと</span><span style="font-family: "Apple Symbols";">3</span>D<span style="font-family: "Arial Unicode MS";">、メタバースという問題系について本格的に取り組む国内で最初のワークショップです。</span><br />
<br />
SecondLife<span style="font-family: "Arial Unicode MS";">のようなソーシャルネットワークのアバターで我々の身体を置き換えるような状態は、コミュニケーションをしたり、ステレオタイプなダンスの動作を</span> <span style="font-family: "Arial Unicode MS";">コントロールするためにキー操作をする興味深い状況を生み出してしまいます。そこでこのワークショップでは太極拳やコンタクト・インプロビゼーションなど</span> <span style="font-family: "Arial Unicode MS";">の身体訓練に基づく映像やアバターによるヴァーチャルな身体とのハイブリッドなインタラクションの新しいモードを考えます。動きのインタラクションに関す</span> <span style="font-family: "Arial Unicode MS";">る創造的な実験は</span>Wiimote<span style="font-family: "Arial Unicode MS";">などの、様々なゲームのインターフェイスを批判的分析に基づきます。私たちは芸術的・美学的な実験を通じて新たな可能性に</span> <span style="font-family: "Arial Unicode MS";">関する展望を考えます。全体で</span>3<span style="font-family: "Arial Unicode MS";">時間のワークショップです。</span><br />
<span style="font-family: "Arial Unicode MS";">ダンサーやパフォーマー、</span> <span style="font-family: "Arial Unicode MS";">プログラマーからメディア研究者まで様々な人々を対象にしています。是非、参加下さい。</span><br />
<br />
<span style="font-family: "Arial Unicode MS";">プロジェクト概要</span><span style="font-family: "Apple Symbols";">:</span> SENSES PLACES<br />
<span style="font-family: "Arial Unicode MS";">ハイブリッドな参加型パフォーマンス環境を通じ異文化の実現する</span><br />
<br />
Senses Places<span style="font-family: "Arial Unicode MS";">はオーディエンスの参加による複合現実感のパフォーマンス環境を作るダンスとテクノロジーのコラボレーションプロジェクトです。様々な身体技</span> <span style="font-family: "Arial Unicode MS";">法に関する文化横断的なアプローチを通じた全身に対するマルチモーダルなインターフェイスを作り出すことで、プロジェクトは運動感覚と共感覚に参加者と環</span> <span style="font-family: "Arial Unicode MS";">境が、その場でもヴァーチャルでリモートでもつながるということを目指します。</span><br />
Second Life<span style="font-family: "Arial Unicode MS";">と共有されたスコアによって、パフォーマー進行役は中国の国際会議</span>DRHA2011<span style="font-family: "Apple Symbols";">(</span>Digital Resources in Humanities and Arts 2011<span style="font-family: "Apple Symbols";">)</span><span style="font-family: "Arial Unicode MS";">でパフォーマンスをはじめます。ニュージーランドや日本の</span><span style="font-family: "Apple Symbols";">2</span><span style="font-family: "Arial Unicode MS";">つのノードからも接続します。実際の身体とバーチャルな肉体、そして身体と環境の間のインタラクションにこの会議のオーディエンスも加わります。</span><br />
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</style> </div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;"><span style="font-family: "Arial Unicode MS";">インターフェイス・デザインにおける</span>Web2.0<span style="font-family: "Arial Unicode MS";">や新しいゲームデバイスは変化をしてきており、インターフェイスにはビデオとアバターの関係や</span> Wiimote<span style="font-family: "Arial Unicode MS";">、生体認証デバイスを含んでいます。さらに</span>SensesPlaces<span style="font-family: "Arial Unicode MS";">では即興や現代のダンスのトレーニング方法、コンタクト・インプロヴィゼーション、舞踏から太極拳、ヨガ、など様々な東洋西洋の身体技法、を</span> <span style="font-family: "Arial Unicode MS";">用います。</span><br />
<br />
Senses Places<span style="font-family: "Arial Unicode MS";">は</span>Second Life<span style="font-family: "Arial Unicode MS";">というソーシャルネットワークにおけるアバターによる身体の機械化やジェンダーや文化的なステレオタイプ化に対し変革を提案し、グループ即興の複雑な練習を通じて、感覚の知覚による相互接続やその範囲を広げることを行うことが出来ればと考えます。</span><br />
<br />
*Senses Places<span style="font-family: "Arial Unicode MS";">はオーディエンスの参加による複合現実感のパフォーマンス環境を作るダンスとテクノロジーのコラボレーションプロジェクトです。</span>Isabel Valverde<span style="font-family: "Arial Unicode MS";">先生とニュージーランドの</span>Todd Cochrane<span style="font-family: "Arial Unicode MS";">先生との共同プロジェクトです。</span><br />
<span style="font-family: "Arial Unicode MS";">プロジェクト</span>Blog:<a href="http://sensesplaces.wordpress.com/">http://sensesplaces.wordpress.com/</a><br />
<br />
Isabel Valverde<span style="font-family: "Apple Symbols";">(</span><span style="font-family: "Arial Unicode MS";">イザベル・バルベルデ</span><span style="font-family: "Apple Symbols";">)</span><br />
<span style="font-family: "Arial Unicode MS";">プロフィールパフォーマー、振付家、舞踊研究者として超領域的に活動をする。</span>1986<span style="font-family: "Arial Unicode MS";">年からソロとインターメディアなパフォーマンスを研究をする。カルフォルニア大学リバーサイド校などいくつかの学校を卒業し、昨年、博士論文を発表する。</span><span style="font-family: "Arial Unicode MS";"></span><br />
<br />
Todd Cochrane<span style="font-family: "Apple Symbols";">(</span><span style="font-family: "Arial Unicode MS";">トッド・コックレーン</span><span style="font-family: "Apple Symbols";">)</span></span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;"><span style="font-family: "Arial Unicode MS";">先生について</span><span style="font-family: "Apple Symbols";">:</span>MUVE<span style="font-family: "Arial Unicode MS";">をつかって活動をしている教育者でありニュージーランドの</span>Wellington Institute of Technology<span style="font-family: "Arial Unicode MS";">で活動をしています。</span><br />
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English<br />
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SENSES PLACES<br />
Cross-cultural Embodiments through Hybrid Participatory Performance Environment<br />
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Workshop 23th August, 2011 <br />
Place; Digital Hollywood University and Graduate School<br />
Akihabara, Dai Building 7th Floor, Room 5-6<br />
<span style="font-family: "Arial Unicode MS";"> </span><a href="http://gs.dhw.ac.jp/%20">http://gs.dhw.ac.jp/ </a><br />
Time; 18:30-21:30<br />
Fee: about 500 yen for drink and foods.<br />
Contact address for participant: yukihiko@s6.dion.ne.jp <br />
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Also at Senses Places' virtual environment at Second Life </span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;">SLURL: <a href="http://slurl.com/secondlife/Koru/233/233/3005">http://slurl.com/secondlife/Koru/233/233/3005</a> <span style="font-family: "Arial Unicode MS";"> </span></span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;"><span style="font-family: "Arial Unicode MS";">SLT/PST: 3am-6am</span></span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;"><span style="font-family: "Arial Unicode MS";">UK/Portugal/GMT: 11.00-14.00h</span><br />
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Workshop Description<br />
The absurd state of substitution and instrumentalization of our human bodies by avatars in social networks such as Second Life@, confronts us with the limitation of punching keys to control their moves and communication, as well as with their gender and dance behavior stereotypification.<br />
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This workshop fosters new modes of hybrid interaction with virtual bodies (avatars and video mediation) based on somatic practices, such as, Body-Mind Centering, Tai Chi and Contact Improvisation, which open out kinesthetic sensing and thinking through witnessing within oneself and with others, gravity, space and time. Creative experimentation of movement interaction is based on the critical analysis of different types of game interfaces, including the Second Life, the Wiimote and the Webcam. We will critically analyze these interfaces through the aesthetic-artistic experimentation with a view for alternative possibilities.<br />
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Project blog: http://sensesplaces.wordpress.com/<br />
Support: </span></div><span style="color: blue;"> </span><br />
<div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;">Wellington Institute of Technology, NZ </span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;">Fundação para a Ciência e a Tecnologia, PT</span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white; color: blue;"><span style="font-size: x-small;">Digital Hollywood, JP<br />
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Isabel Valverde is a transdisciplinary performer, choreographer and scholar from Portugal. Develops experimental solo and collaborative intermedial performance art/dance work since 1986. Graduated in Dance Theory and History (UCR), Interdisciplinary Arts (SFSU), New Dance (SNDD/AHK) and Dance (FMH/UTL), Isabel’s doctoral thesis, Interfacing Dance and Technology: a theoretical framework for performance in the digital domain, is translated into Portuguese (FCG/FCT, 2010). Presently pursuing a postdoctoral research in Dances and Technologies (BPD/FCT) at the Institute of Humane Studies and Intelligent Sciences and VIMMI/INESC-ID.<br />
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Todd Cochrane is an experienced educator using MUVEs and a computer technologist who runs the HCI, web development and programming principles classes at the Wellington Institute of Technology, in Wellington New Zealand. He is an expert software developer who has experience with 3D web cam to Virtual World data transfer. Todd is studying towards a Ph. D. in Education on How to use MUVEs effectively in vocational contexts. </span></div><div class="MsoNormal" style="background: none repeat scroll 0% 0% white;"><br />
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<tr><td style="text-align: center;"><img border="0" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-NpHe1khfGMjq1-DRx4GXCiZ8cNaQsBqI9AE3AvHsCGT5qaFhSB88uKKMtgc3vqxVgXAn42dSIuAkDPQclDpU_cwfbB2PgsSTgUCXb77duEaoxeYN5MqZN_2qeObDqHIfiX-1X8bdq4s3/s320/DH_010.png" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Testing video broadcasts with Digital Hollywood </td></tr>
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</div></div>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0Tóquio, Japan35.6894875 139.6917063999999335.4907605 139.20315889999992 35.8882145 140.18025389999994tag:blogger.com,1999:blog-3698150099350627206.post-4814337749400294852011-07-16T05:19:00.000-07:002011-07-26T05:29:52.157-07:00SENSES PLACES Work Residency @ Fridge Gallery, WelTec, New Zealand<div dir="ltr" style="text-align: left;" trbidi="on"><style>
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<div align="center" class="MsoNormal" style="color: #e06666; margin-right: -16.7pt; text-align: center;"><span style="font-family: Arial; font-size: 26.0pt;"><b><i>SENSES PLACES</i></b></span><span style="font-family: Arial; font-size: 26.0pt;"><b></b></span></div><div align="center" class="MsoNormal" style="color: #e06666; margin-right: -16.7pt; text-align: center;"><span style="font-family: Arial;"><b>Mixed Reality Participatory Environment</b></span></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY6odIE0Ce7a3c1E3xzldYfJpHSqGZHlRHu3jqzyWX2azjz_lLitHN33vllcy_th0SQYxWnCBoorTjL1WQZW1l-6-a7t6sztZX5nPTomgsr2Bei9ylhzqh_lYQ9AsEMnuIyF4P-MtvVhGL/s1600/Senses_Places.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY6odIE0Ce7a3c1E3xzldYfJpHSqGZHlRHu3jqzyWX2azjz_lLitHN33vllcy_th0SQYxWnCBoorTjL1WQZW1l-6-a7t6sztZX5nPTomgsr2Bei9ylhzqh_lYQ9AsEMnuIyF4P-MtvVhGL/s400/Senses_Places.jpg" width="282" /></a></div><div align="center" class="MsoNormal" style="margin-right: -16.7pt; text-align: center;"><br />
</div><div align="center" class="MsoNormal" style="margin-right: -16.7pt; text-align: center;"><span style="font-family: Arial;"><b><i></i></b></span></div><div class="MsoNormal" style="color: red; margin-right: -16.7pt;"><span style="font-family: Arial; font-size: 9.0pt;"><i> </i></span><span style="color: #e06666; font-size: small;"><b><span style="font-family: Arial;"><i>Senses Places</i></span></b><span style="font-family: Arial;"> is a dance-technology collaborative project creating a playful mixed reality performative environment for audience participation. Generating whole body multimodal interfacings keen to a somatic cross-cultural approach, the project stresses an integration of simultaneous local and remote connections, where participants and environments meet towards a kinesthetic/synesthetic engagement.</span></span></div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><br />
</div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><span style="font-size: small;"><span style="font-family: Arial;">Tuning the audience participants into several whole body modes of physical-virtual body-body and body-environment interactions, within a physical and virtual environment (Second Life©), <b><i>Senses Places</i></b></span><span style="font-family: Arial;"> re-purposes recent Web 2.0 enabled game devices with a synergetic/semantic approach to interface design. The interfaces include, video and avatar mediations via Webcam, Wiimote©, and Kinect©, plus a biometric device. </span></span></div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><br />
</div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><span style="font-size: small;"><span style="font-family: Arial;">Emerging embodiments, realities, and cultures are generated by the multi-participant playful involvement as the participants follow, act upon, and respond to each others' physical bodies, video mediations, avatar moves, and/or environmental changes. Climate related body-environment activity is affected through wireless communication, linking biometric inputs and environmental device actuators, such as, temperature-light/color, breathing-smoke/wind modulations. </span></span></div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><br />
</div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><span style="font-size: small;"><span style="font-family: Arial;">Through an inclusive process engaging kinesthetic empathy,<i> <b>Senses Places</b> </i></span><span style="font-family: Arial;">deepens contemporary dance practices, interweaving Eastern-Western somatic based practices, like, Contact Improvisation, Tai Chi, Yôga, Body-Mind Centering, Release, and Alexander Techniques. The improvisation evolves in a sharing of corporealized places, times, and energies, encouraging a fuller experience of the moment. </span></span></div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><br />
</div><div class="MsoNormal" style="color: #e06666; margin-right: -16.7pt;"><span style="font-size: small;"><span style="font-family: Arial;"><i><b>Senses Places</b> </i></span><span style="font-family: Arial;">wishes to contribute to enlarge the range and interconnectedness of sensory-perceptions within the already complex practice of group improvisation, proposing a constructive and transformative means of inter-subjective and collective socialization, reversing the dead end substitution, gender and movement cultural stereotypification, and instrumentalization of bodies by avatars in social networks, such as Second Life©.</span></span></div><div class="MsoNormal" style="color: #e06666;"><br />
</div><div class="MsoNormal" style="color: #e06666;"><span style="font-size: small;"><span lang="EN-NZ" style="font-family: Arial;">By Isabel Valverde and </span><span style="font-family: Arial;">Todd Cochrane</span><span lang="EN-NZ"></span></span></div><div class="MsoNormal" style="color: #e06666;"><br />
</div><div class="MsoNormal" style="color: #e06666;"><span style="font-size: small;"><span lang="EN-NZ" style="font-family: Arial;">Open from July 16 to 28</span></span></div><div class="MsoNormal" style="color: #e06666;"><span style="font-size: small;"><span lang="EN-NZ" style="font-family: Arial;"></span></span><span style="font-size: small;"><span lang="EN-NZ" style="font-family: Arial;">2.00pm - 4.30pm Monday to Thursday </span></span></div><span style="color: #e06666;"> </span><div class="MsoNormal" style="color: #e06666;"><span style="font-size: small;"><span lang="EN-NZ" style="font-family: Arial;"></span></span></div><div class="MsoNormal" style="color: #e06666;"><br />
</div><div class="MsoNormal" style="color: #e06666; margin-right: 16.7pt;"><span style="font-size: small;"><span style="font-family: Arial;">Physical site: Fridge Gallery </span></span></div><div class="MsoNormal" style="color: #e06666; margin-right: 16.7pt;"><span style="font-size: small;"><span style="font-family: Arial;">Wellington Institute of Technology </span></span></div><div class="MsoNormal" style="color: #e06666; margin-right: 16.7pt;"><span style="font-size: small;"><span style="font-family: Arial;">C Bloc, 23-27 Kensington Av., Petone, New Zealand</span></span></div><div class="MsoNormal"><span style="font-size: small;"><span style="font-family: Arial;"><span style="color: red;">Second Life© SLURL:</span> </span><span style="font-family: Times-Roman;"><a href="http://slurl.com/secondlife/Koru/233/233/3005"><span style="font-family: Arial;">http://slurl.com/secondlife/Koru/233/233/3005</span></a></span><span style="font-family: Arial;"></span></span></div><div class="MsoNormal"><span style="font-size: small;"><span lang="EN-NZ" style="font-family: Arial;"><span style="color: red;">Senses Places Blog:</span> </span><span lang="EN-NZ"><a href="http://sensesplaces.wordpress.com/"><span style="font-family: Arial;">http://sensesplaces.wordpress.com</span></a></span></span></div></div>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com023/27 Kensington Ave, Petone 5012, New Zealand-41.2245095 174.88420369999994-73.645221 115.11857869999994 -8.803798 -125.35017130000006tag:blogger.com,1999:blog-3698150099350627206.post-31096879576792554722010-07-08T13:47:00.000-07:002010-07-08T13:47:56.959-07:00HYBRID PARTICIPATORY PERFORMANCE: REAL VIRTUAL GAMES at SDHS and Second LifeINVITATION <br />
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HYBRID PARTICIPATORY PERFORMANCE<br />
REAL VIRTUAL GAMES IN SECOND LIFE <br />
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At Working group: Transnational Media Performance<br />
SDHS Conference: Dance and Spectacle <br />
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SATURDAY, JULY 11, 14.00-15.30 H (BST)<br />
The Place, London<br />
AND<br />
6.00-7.30 AM (PST/SLT)<br />
SLURL: <a href="http://slurl.com/secondlife/Koru/219/226/4027">http://slurl.com/secondlife/Koru/219/226/4027</a><br />
Second Life <br />
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</div><div style="font-family: inherit; text-align: left;"><span style="font-size: xx-small;">Photo by <span style="color: #000099;">Andrew Oleksiu/</span><span style="color: #000099;">Ti Mosienko during Participatory Performance at PSI 16</span></span> </div><br />
This working group session starts with a 5-10 mn hybrid participatory performance based on a short structured movement improvisation between avatars (Second Life users) and participants in London, through SL video broadcast. The performance is followed by working group discussion of the proposed issues including all the physical and virtual participants.<br />
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We propose an ad-hoc group aiming to gather scholars, artists, and researchers, to exchange and discuss work that focuses on or implies inter, transnational and transcultural themes, issues, dimensions and particularities, regarding new hybrid performance processes, forms, formats, discourses, audience reach, reception and participation. <br />
The recent access to global communication networks, platforms, has been shaping, influencing and challenging media art trends, including performance and dance. New formats, concepts and work methodologies produce hybrid and networked performances, including, Telematic art,Web or Net art, and art in MUVEs, such as Second Life. <br />
However, rarely does these works integrate or address,cultural intercourse, such as collaborations amongst artists/audience participants from different places/nations/regions. These issues include but are not limited to the choreographic, kinesthetic, language, and technology, confronting our ethnic illiteracy:<br />
<br />
− How is movement and gesture based media work contributing and implying the emergence and development of other modes of creating, interacting and communication amongst artists/subjects from allover regarding common issues related with corporeality discourses?<br />
− How are aesthetics principles, methods, forms or strategies already hybrids, nomads, and mutants, converging as well as differentiating nations and cultures' within the Western, Eastern, Southern and Asian movement forms as transnational modes of production?<br />
− How do such exchanges, appropriations and assimilations alter the kind of practices and work being produced and how are these revealing the dominant tendencies and or the development or a more inclusive, though not standard, subjective aesthetics, dependent on the more or less eclectic artistic education, training and cultural exposure at large?<br />
− How is transnational production increasing and mutating, at the present moment of generalized access to the global network, where live performances are not only advertised and documented online, but also happening online through video conferencing based telematics or through virtual characters in MUVE's, such as Second Life?<br />
− How does media performance accentuate and accelerate the transnational exchanges, convergences and differentiations into new dimensions and proportions, by providing easy network platforms for work? <br />
<br />
The working group proposes to organize a blog or ning with calls for papers, performances, or other formats of work, where members can read, watch and or experience works between the annual meetings, through a blog, in order to develop in more depth discussion.<br />
<br />
Score:<br />
Please arrive to the SLURL 5-10 mn earlier in order to acquire the movement animations I (Butler2 Evelyn) would like to share with you to play during the performance at the SL site. The performance is quite informal and each avatar is invited to use the shared movements to interact with each other. All other possible moves and gestures can be combined freely, including avatar spatial navigation, gestures, chat and voice. Please feel free to experiment with accumulation of moves. They are of different sorts, from floating in the air, moving body parts in various and impossible ways, slow turning in the air.<br />
On top of this in-world interaction, we will try a mixed world interaction through screens placed in physical and virtual spaces, encouraging physical and virtual participants to engage with each other.<br />
Note SL participants: make sure your voice is on, particularly during the discussion.<br />
<br />
Real Virtual Games is a project experimenting with the interaction through hybrid modes of embodiment, adapting and creatively applying possible interfaces between physical and virtual bodies and realities. Moving through the world and games available to appropriate and critically create new modes of embodied interaction.<br />
This participatory performance is influenced by Contact Improvisation as a ludic movement form based on communication through physical proximity and contact between participants, sharing weight, flow, energy. Opening out the kinesthetic and kinetic senses, thinking through and witnessing movement interactions moved by the full experience of each moment. These principles of inner and shared embodied experience are based Eastern forms such as Aikido, Tai Chi, Yôga, and Somatics, including Body-Mind Centering, Release, and Alexander. <br />
<br />
Be Welcome to come enjoy challenging ways of embodied interaction.<br />
Please share with anyone interested.<br />
<br />
Isabel Valverde/Butler2 EvelynDance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0tag:blogger.com,1999:blog-3698150099350627206.post-88906333323262982802010-05-18T09:20:00.000-07:002010-05-18T09:20:31.941-07:00CONVITE Lançamento de Livro / INVITATION Book Launching<!--StartFragment--> <br />
<div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"><span style="font-family: LucidaGrande;"><span class="Apple-style-span" style="font-size: x-small;">* * * * * Queiram divulgar * * * * *</span><span class="Apple-style-span" style="font-size: x-small;"><o:p></o:p></span></span></div><div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"><span style="font-family: LucidaGrande;"><span class="Apple-style-span" style="font-size: x-small;">* * * * * Be welcome to share * * * * </span></span></div><div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"><span class="Apple-style-span" style="font-family: LucidaGrande; font-size: medium;"><span class="Apple-style-span" style="font-size: 15px;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK8fLYuPnIji1mcunhvESzdwAIfqnBfNsMQANiJ_zHCDi90fKscQuIiSCbeaBdah2HP4JM4lTD7FIZSRvc5Xe0JIEPtxz7Gww404Zjelp7uruIDV3Vb3GXboxvNoy0v5chHcMMY9D923UE/s1600/capa+livro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK8fLYuPnIji1mcunhvESzdwAIfqnBfNsMQANiJ_zHCDi90fKscQuIiSCbeaBdah2HP4JM4lTD7FIZSRvc5Xe0JIEPtxz7Gww404Zjelp7uruIDV3Vb3GXboxvNoy0v5chHcMMY9D923UE/s400/capa+livro.jpg" width="278" /></a></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><br />
</div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><b>CONVITE /</b></span><span style="font-family: LucidaGrande;"> <span class="Apple-style-span" style="font-weight: bold;">INVITATION</span></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;">cerimónia de lançamento do livro <o:p></o:p></span></div><div class="MsoNormal" style="text-align: center;"></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"> launching ceremony of the book<o:p></o:p></span></div><div class="MsoNormal" style="text-align: center;"><br />
</div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><b><i>Interfaces Dança-Tecnologia: </i></b></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><b><i>um quadro teórico para a performance no domínio digital</i></b></span><span style="font-family: LucidaGrande;"><o:p></o:p></span></div><div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-family: LucidaGrande;"><b><i><br />
</i></b></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;">De/By Isabel de Cavadas Valverde<o:p></o:p></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><span class="Apple-style-span" style="font-size: small;">Edição/Edition Fundação Calouste Gulbenkian / Fundação para a Ciência e a Tecnologia, </span></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><span class="Apple-style-span" style="font-size: small;">Textos Universitários de Ciências Sociais e Humanas, 02/2010</span><o:p></o:p></span></div><div class="MsoNormal" style="text-align: center;"><br />
</div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><b>Com a presença de / With the presence of</b><b><o:p></o:p></b></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><b>Luisa Gama Caldas (FA/UTL)</b><b><o:p></o:p></b></span></div><div class="MsoNormal" style="text-align: center;"><span style="font-family: LucidaGrande;"><b>José Bragança de Miranda (FCSH/UNL)</b><o:p></o:p></span></div><div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-family: LucidaGrande;"><br />
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</span></div><div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-family: LucidaGrande;"><b>Sexta-Feira, 21 de Maio / 19.30 H </b></span></div><div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-family: LucidaGrande;"><b>Friday, May 21 / 7.30 pm</b></span></div><div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-family: LucidaGrande;"><a href="http://www.bracodeprata.com/"><b>Fábrica do Braço de Prata</b></a><b>, Sala Visconti</b></span></div><div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-family: LucidaGrande;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 5px; -webkit-border-vertical-spacing: 5px; font-family: Georgia, 'Times New Roman', Times, serif;"><span class="G12" style="color: black; font-family: Georgia, 'Times New Roman', Times, serif; font-variant: small-caps; letter-spacing: 1pt; text-decoration: none;"><b>Rua da Fábrica do Material de Guerra, nº1</b></span></span></span></div><div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-family: LucidaGrande;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 5px; -webkit-border-vertical-spacing: 5px; font-family: Georgia, 'Times New Roman', Times, serif;"><span class="G12" style="color: black; font-family: Georgia, 'Times New Roman', Times, serif; font-variant: small-caps; letter-spacing: 1pt; text-decoration: none;"><b></b></span><span class="G10-alfa" style="color: #999999; font-family: Georgia, 'Times New Roman', Times, serif; text-decoration: none;"><b>(em frente aos Correios do Poço do Bispo)</b></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: LucidaGrande;"><b><span class="Apple-style-span" style="font-weight: normal;"><br />
</span></b></span></div><!--EndFragment-->Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com1tag:blogger.com,1999:blog-3698150099350627206.post-76839032768238638732010-04-22T16:18:00.000-07:002011-02-19T16:36:55.325-08:00Kinesthetic Empathy 2010 Conference: POSTERS<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: left;"><span class="Apple-style-span" style="font-size: x-small;"><embed allowfullscreen="true" allowscriptaccess="always" bgcolor="#" class="xg_slideshow xj_photo_embed" flashvars="feed_url=http%3A%2F%2Fwatchingdance.ning.com%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fid%3D5321888%253AAlbum%253A159%26mtime%3D1298160442%26x%3D3XuoXiMDNjiO4Ud8n9nrQ6qJSQ8W4czx&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwatchingdance.ning.com%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3D3XuoXiMDNjiO4Ud8n9nrQ6qJSQ8W4czx%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwatchingdance.ning.com%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fid%253D5321888%25253AAlbum%25253A159%2526mtime%253D1298160442%2526x%253D3XuoXiMDNjiO4Ud8n9nrQ6qJSQ8W4czx%26version%3DDEP-6377%253Af1e79f6_18_18_3&slideshow_title=&fullsize_url=http%3A%2F%2Fwatchingdance.ning.com%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwatchingdance.ning.com%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fid%253D5321888%25253AAlbum%25253A159%2526mtime%253D1298160442" height="394" pluginspage="http://www.macromedia.com/go/getflashplayer" quality="high" scale="noscale" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201102102227" type="application/x-shockwave-flash" width="500" wmode="opaque"></embed> <br />
<small><a href="http://watchingdance.ning.com/photo/photo">Find more photos like this on <em>Watching Dance</em></a></small></span></div><div style="text-align: left;"><span class="Apple-style-span" style="color: #6aa84f; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: x-small;">About my Poster 14:</span></div><div style="text-align: left;"><span class="Apple-style-span" style="font-size: x-small;"></span><br />
<span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #6aa84f; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b>Title: Rescuing Kinesthesia through Dance-Technology Interfaces: a theoretical framework towards posthuman corporealities</b></span><br />
<span class="Apple-style-span" style="color: #6aa84f; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Abstract</span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Following my theoretical framework on dance-technology interfaces and artistic practice based research in somatic based contemporary dance approach, I have been interested in work that emphasizes the kinesthetic experience, awareness, participation and empathy (particularly when experimenting with media technologies). Mostly as reflexive interfaces, the works have an inclusive and questioning attitude towards the very body-tech interfaces and the visual and audio dominance and consequent lack of focus on the embodied engagement. I would like to argue that, independent from media technology, the type of dance or choreographic approach and movement techniques influences the way kinesthesia is or is not addressed, expressed and sensed by performers and audience members. </span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Curiously, I began noticing that the dance works that I enjoyed watching, experiencing or learning about within dance-tech were related to the same aesthetic dance approaches I enjoyed in pieces without media. These pieces were, for instance, kondition pluriel's Schème II, Sarah Rubidge and Alistair MacDonald's Sensuous Geographies, Lynn Pook's Pause, Carol Brown & Escape Design's Sea, Unsee, and Tetsuro Fukuhara's Space Dance in the Tube.</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Through semiotic and phenomenological analysis of hybrid and interconstitutive modes of interfacing amongst the work participants, I argue that these works share a common emphasis on kineasthesia. Wanting to experience and communicate with the audience members through this sense, they develop ways of bringing attention and awareness to it by following and learning about embodying sensations in interactive movement situations. Either watching or actually participating, these works induce immersion by relying on and sometimes isolating the kinesthetic perception from sight, thus being a playful and constructive mode of knowing ourselves and understanding kinesthesia's crucial role to our sense of embodiment particularly in this technological driven time of disconnection. </span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Narrowing the approach to emphasize what I am most interested: kinesthetic awareness, engagement and communication, it was not surprising that these works are rare to find to watch on stage or experience in interactive environments or virtual networked performance formats. I believe this happens due to the imposing power of the image and sound upon movement in most works. And this situation reflects our conservative and Cartesian mentality model where movement is included though instrumentalized to serve the, supposed more intelligent, media environments, diminishing, when not substituting, the bodies, and keeping kinesthetic communication unconscious instead of adapting the interfaces and systems to our corporeal potential expanding what we can be. I will focus on the implications of these approaches' perceptive inclusivity and how they can contribute to raise agency for kinesthesia. As Hillel Schwartz stated in «Torque: the knew kineasthesia for the twentieth century» (Schwartz, 1992), a century later I believe we are getting closer to fulfill this goal for our posthuman society with the support from neurosciences findings on mirror neurons and dual adaptability along with critical theory particularly on dance, performance and feminist studies.</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><br />
</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Blibliography</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Bainbridge, Bonnie Bainbridge, Sensing Feeling and Action, The Experiential Anatomy of Body-Mind Centering, Contact Editions, 1993,</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Damasio, António The Feeling of What Happens: Body and Emotion in the Making of Consciousness, Houghton Mifflin Harcourt, 2000,</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Grosz, Elisabeth, Volatile Bodies: towards a corporeal feminism, Indiana University Press, 1994, </span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Hayles, Katherine, How We Became Posthumans: Virtual Bodies in Cybernetics, Literature, and Informatics, University Of Chicago Press, 1999, </span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Hanna, Thomas, Bodies in Revolt: the evolution-revolution of 20th century man toward the Somatic Culture of the 21st century, Holt, Rinehart and Winston, NY, Chicago, San Francisco, 1970, </span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Schwartz, Hillel, «Torque: the knew kineasthesia for the twentieth century», in Zone Books 6: Incorporations, the University of Michigan,1992,</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Valverde, Isabel, Interfacing Dance and Technology: a theoretical framework for performance in the digital domain, Ph.D. thesis in partial fulfillment of degree. University of California, Riverside, 2004 (publication forthcoming),</span></span><br />
<span class="Apple-style-span" style="color: #6aa84f;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Valverde, Isabel, Challenging Body Perceptions: dance towards and resisting new technologies, thesis presented towards the partial fulfillment of the MA degree in Creative Arts: Interdisciplinary Arts, SFSU, 1998</span></span><br />
</span></div></div>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0tag:blogger.com,1999:blog-3698150099350627206.post-62730953066677653882010-04-11T05:36:00.000-07:002010-04-11T05:40:10.794-07:00HASTAC Conference - Second Life Panel: Dance and Performance in the Metaverse<div style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;"><b>HASTAC, Humanities, Arts , Science & Technology Advanced Collaboratory</b> </span></div><div style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;">It is a huge community of scholars in the Digital Humanities & Arts (UCLA, UCIrvine, UCBerkeley, UCStanford, Duke, etc.)<br />
<br />
<b>Conference: Hastac 2010 Grand Challenges and Global Innovations Conference </b><br />
April 15-17, 2010 hosted by the Institute for Computing in Humanities, Arts, and Social Science at the University of Illinois, <br />
This will be an entirely free virtual event held in a multiplicity of digital spaces instigated from sites across the globe.</span></div><div style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;">Preliminary Program:<a href="http://www.ichass.illinois.edu/HASTAC_Schedule.html">http://www.ichass.illinois.edu/HASTAC_Schedule.html</a></span></div><div style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;"><br />
</span></div><div style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;"><b>Panel in Second Life: Dance and Performance in the Metaverse </b><br />
Organized by Ana Boa-Ventura, with choreographers: Jennifer Monson, Yacov Sharir, and Isabel Valverde</span></div><div style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;">Saturday* April 17th from 1 - 2 PM CST . (7-8PM portuguese time)</span></div><span style="font-size: x-small;"><span style="font-family: Verdana,sans-serif;">Location of panel in Second Life/SLURL: </span><a href="http://slurl.com/secondlife/LSU%20CCT/128/128/0" style="font-family: Verdana,sans-serif;">http://slurl.com/secondlife/LSU%20CCT/128/128/0</a><span style="font-family: Verdana,sans-serif;"> </span></span> <br />
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<object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/7Hco9HdmW5Y&hl=en_US&fs=1&color1=0x5d1719&color2=0xcd311b"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/7Hco9HdmW5Y&hl=en_US&fs=1&color1=0x5d1719&color2=0xcd311b" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com1tag:blogger.com,1999:blog-3698150099350627206.post-83194242538921340152010-02-23T08:31:00.000-08:002010-02-23T09:00:14.256-08:00Floating solo dance @ Weathering In/Com Tempo Second Life® Environment<span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: small;"><span class="Apple-style-span" style="font-size: 11px;"><object height="300" width="400"> <param name="flashvars" value="offsite=true&lang=pt-br&page_show_url=%2Fphotos%2F23123386%40N07%2Fsets%2F72157623490935312%2Fshow%2F&page_show_back_url=%2Fphotos%2F23123386%40N07%2Fsets%2F72157623490935312%2F&set_id=72157623490935312&jump_to="></param><param name="movie" value="http://www.flickr.com/apps/slideshow/show.swf?v=71649"></param><param name="allowFullScreen" value="true"></param><embed type="application/x-shockwave-flash" src="http://www.flickr.com/apps/slideshow/show.swf?v=71649" allowFullScreen="true" flashvars="offsite=true&lang=pt-br&page_show_url=%2Fphotos%2F23123386%40N07%2Fsets%2F72157623490935312%2Fshow%2F&page_show_back_url=%2Fphotos%2F23123386%40N07%2Fsets%2F72157623490935312%2F&set_id=72157623490935312&jump_to=" width="400" height="300"></embed></object></span></span><br />
<div><span class="Apple-style-span" style="color: #222222; font-family: arial, Helvetica, sans-serif; font-size: small;"><span class="Apple-style-span" style="font-size: 12px; white-space: pre-wrap;"><span class="Apple-style-span" style="color: black; font-family: 'Lucida Grande'; font-size: small;"><span class="Apple-style-span" style="font-size: 11px; white-space: normal;">photos by isabel valverde</span></span></span></span></div><div><span class="Apple-style-span" style="font-family: 'Lucida Grande', Helvetica, sans-serif; font-size: small;"><span class="Apple-style-span" style="font-size: 11px;"><br />
</span></span></div><div><span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: small;"><span class="Apple-style-span" style="font-size: 11px;"><span class="Apple-style-span" style="font-family: arial, Helvetica, sans-serif; font-size: 12px; white-space: pre-wrap;"><span class="Apple-style-span" style="color: #cc0000;">Photo sequence showing excerpt from performer Isabel Valverde/Butler2 Evelyn during avatar interaction with the SL virtual changing environment. Composed of 2 separated half spheres rendered with images from Portugal and New Zealand coastline and skies, the avatars can experience to be simultaneously at these geographical opposed places. This is one of multiple aspects in development for <i><b>Weathering In/Com Tempo</b></i>. </span></span></span></span><br />
<span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: small;"><span class="Apple-style-span" style="font-size: 11px;"><span class="Apple-style-span" style="font-family: arial, Helvetica, sans-serif; font-size: 12px; white-space: pre-wrap;"><span class="Apple-style-span" style="color: #cc0000;">By Isabel Valverde and Todd Cochrane</span></span></span></span></div><div><span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: small;"><span class="Apple-style-span" style="font-size: 11px;"><br />
</span></span></div>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com1tag:blogger.com,1999:blog-3698150099350627206.post-41254436453055976882010-02-22T13:05:00.001-08:002010-02-22T13:05:20.314-08:00Weathering In 09.20.09<div style="text-align: left; padding: 3px;"><a href="http://www.flickr.com/photos/23123386@N07/4259558985/" title="photo sharing"><img src="http://farm5.static.flickr.com/4032/4259558985_73708269d9.jpg" style="border: solid 2px #000000;" alt="" /></a><br /><span style="font-size: 0.8em; margin-top: 0px;"><a href="http://www.flickr.com/photos/23123386@N07/4259558985/">Snapshot_011</a>, upload feito originalmente por <a href="http://www.flickr.com/people/23123386@N07/">isabelv63</a>.</span></div><p>Generating a virtual mockup of the physical environment in Second Life®.<br />The project will integrate a physical and a virtual participatory environments. <br />In the mockup we projected possible real-time projections of people broacasted in SL along the avatars. The physical participants are represented as stick white figures. The photos of the mockup (see all at http://www.flickr.com/photos/23123386@N07/sets/72157623050463439/) do also include other aspects of the aimed interactions, such as sound wind/smoke and water. these can also be represented and be work as virtual active responses from the virtual environment to avatars movement and interaction with others and the space.<br />By Isabel Valverde and Todd Cochrane</p>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0tag:blogger.com,1999:blog-3698150099350627206.post-70025248797666052022009-10-08T12:55:00.000-07:002009-10-08T14:16:08.419-07:00Weathering In / Com Tempo at paper and presentation on SLACTIONS Conference, Braga & Second Life<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaQBIoAq8OGLiho4221x6WcsxvOLcLTX4s1rV1Cl8ZW2P4jXWsfr78eaB3QBJ0harNAQlqkLnS1Q2hT_dq9J8_R3DQVtilZjisvzHuv9FUK-HiZKS5SGazcQo4VuqkOfQQwT3rLbwogxyh/s1600-h/Snapshot_023.png"><img style="cursor: pointer; width: 400px; height: 271px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaQBIoAq8OGLiho4221x6WcsxvOLcLTX4s1rV1Cl8ZW2P4jXWsfr78eaB3QBJ0harNAQlqkLnS1Q2hT_dq9J8_R3DQVtilZjisvzHuv9FUK-HiZKS5SGazcQo4VuqkOfQQwT3rLbwogxyh/s400/Snapshot_023.png" alt="" id="BLOGGER_PHOTO_ID_5390337097421136098" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9rPDmsc6H096l7GtpuXLcnxdYVIw7UNwrDah0Ytn_UnJXjZj3rM1dWl8l8cDZM0TwJt4EQSvLJ48rTcTXoeY2_ICIBZoUmKuZiZKvygS-ubzd2g4ftAxg7OiqA2NuMJOTp4mu8UwDe2ds/s1600-h/Snapshot_012.png"><img style="cursor: pointer; width: 400px; height: 271px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9rPDmsc6H096l7GtpuXLcnxdYVIw7UNwrDah0Ytn_UnJXjZj3rM1dWl8l8cDZM0TwJt4EQSvLJ48rTcTXoeY2_ICIBZoUmKuZiZKvygS-ubzd2g4ftAxg7OiqA2NuMJOTp4mu8UwDe2ds/s400/Snapshot_012.png" alt="" id="BLOGGER_PHOTO_ID_5390337586255177794" border="0" /></a><br /><span style="font-size:85%;"><span style="color: rgb(0, 153, 0);">photos from inWorld Chapter of SLACTIONS Conference at: </span><br /><a style="color: rgb(255, 0, 0);" href="http://slurl.com/secondlife/NMC%20Conference%20Center/210/19/51/">http://slurl.com/secondlife/NMC%20Conference%20Center/210/19/51/</a></span><br /><span style="color: rgb(0, 153, 0);font-family:verdana;" ><br /></span><span style="color: rgb(0, 153, 0);font-family:verdana;font-size:100%;" class="font6" ><strong>«Weathering In / Com Tempo: an intervention towards embodied multi-modal self-organizing environments</strong></span><span style="color: rgb(0, 153, 0);font-size:100%;" class="font5" ><span style="font-family:verdana;">»</span></span><span style="font-size:100%;"><br /></span><span style="color: rgb(0, 153, 0);font-family:verdana;font-size:100%;" >Paper presentation by I. Valverde and T. Cochrane </span><span style="color: rgb(0, 153, 0);font-size:100%;" class="font5" > <span style="font-family:verdana;"><br /></span></span><span style="color: rgb(0, 153, 0);font-family:verdana;font-size:100%;" >Setembro 24 & 25 <a style="color: rgb(255, 0, 0);" href="http://www.slactions.org/slactions.php">SLACTIONS</a> Research Conference in the Second Life (R) World<br /><br /></span><span style="color: rgb(0, 153, 0);font-size:100%;" class="font5" ><span style="font-family:verdana;">Here is a blogpost of SLenz, Second Life Education in New Zealand, by John </span></span><span style="font-size:100%;"><span style="color: rgb(0, 153, 0);">Waugh</span></span><span class="font5"><span style="color: rgb(0, 153, 0);font-family:verdana;font-size:100%;" > about the presentation:<br /><a style="color: rgb(255, 0, 0);" href="http://slenz.wordpress.com/2009/09/24/slenz-update-no-139-september-24-2009/">http://slenz.wordpress.com/2009/09/24/slenz-update-no-139-september-24-2009/</a></span><br /></span>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0tag:blogger.com,1999:blog-3698150099350627206.post-21658436289815086372009-09-20T13:12:00.000-07:002010-02-22T13:37:23.454-08:00Real Virtual Games and Weathering In/Com Tempo in Second Life®<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 10px; white-space: pre;"><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/rWoHds71y0s&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/rWoHds71y0s&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 10px; white-space: pre;">Video by Todd Cochrane</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 10px; white-space: pre;">Showing some aspects of the 2 related projects, <a href="http://reaisjogosvirtuais.blogspot.com/">Real Virtual Games/Reais Jogos Virtuai</a>s and Weathering In/Com Tempo. These aspects include the construction of virtual spaces and virtual elements (smoke, wind, sound, water) with built interactive responsivity to the avatars proximity or touch, choreographed animation based on motion capture available to avatar participants, the video broadcast in Second Life® and video-avatar embodied interfacing.</span>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0tag:blogger.com,1999:blog-3698150099350627206.post-52981259262787673222009-08-21T05:19:00.001-07:002009-08-21T08:31:07.634-07:00Of Human and Blob Body Fragments<object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/0xeYlluiY5k&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/0xeYlluiY5k&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></embed></object><br /><br /><span style=";font-family:verdana;font-size:85%;" ><span style="color: rgb(51, 51, 255);">this is the new videodance production of </span><span style="font-weight: bold; color: rgb(51, 51, 255);">© blobdance project</span><br /><span style="color: rgb(51, 51, 255);">published in </span><span style="font-weight: bold; color: rgb(51, 51, 255);"><a href="http://www.youtube.com/watch?v=0xeYlluiY5k&feature=channel_page">youtube</a> </span><span style="color: rgb(51, 51, 255);">and</span><span style="font-weight: bold; color: rgb(51, 51, 255);"> <a href="http://blobdance.blogspot.com/">blogspot </a></span><br /><br /><span style="color: rgb(51, 51, 255);">thanks to: Ana Moura, special guest editor, António Fortes, Rafaela Macedo,</span><span style="color: rgb(51, 51, 255);"> Araújo, VIMMI - Visualization and Intelligent Multimodal Interfaces Group/INESC-ID, IST, UTL, and Jorge Gonçalves.<br /><br /><br /></span></span><span style=";font-family:verdana;font-size:85%;" ><span style="color: rgb(51, 51, 255);">esta é a nova produção de videodança do </span><span style="font-weight: bold; color: rgb(51, 51, 255);">© blobdance project<br /></span><span style="color: rgb(51, 51, 255);">publicada no</span><span style="font-weight: bold; color: rgb(51, 51, 255);"> <a href="http://www.youtube.com/watch?v=0xeYlluiY5k&feature=channel_page">youtube</a> </span><span style="color: rgb(51, 51, 255);">e</span><span style="font-weight: bold; color: rgb(51, 51, 255);"> <a href="http://blobdance.blogspot.com/">blogspot </a></span><br /><br /><span style="color: rgb(51, 51, 255);">agradecimentos: Ana Moura, António Fortes, Rafaela Macedo, Bruno Araújo, VIMMI - Grupo de Visualização e Interfaces Multimodais Inteligentes, </span><span style="color: rgb(51, 51, 255);">INESC-ID, IST, UTL</span><span style="color: rgb(51, 51, 255);">, e Jorge Gonçalves.</span><br /></span>Dance Improvisation Technologieshttp://www.blogger.com/profile/03437049888172127069noreply@blogger.com0