Senses Places @ 121212 UpStage

Senses Places
Mixed Reality Performance and Participatory Environment

@ 121212 Testing
Upstage Festival of Cyberformance

Recording of 2nd Performance and Participatory Environment

Invitation to watch the video of Senses Places - Mixed Reality Performance and Participatory Environment, posted live during 121212 UpStage Festival of Cyberformance from Up... - http://new.livestream.com/accounts/844901/events/1720827/videos/7760012

Sincere comments and feedback are very welcome
All the Thanks!!! :D

Convite para observação de registo video do projecto Senses Places - Performance e Ambiente Participativo em Realidade Mista gravado ao vivo durante o 121212 UpStage Festival of Cyberformance no canal Livestream do Upstage
http://new.livestream.com/accounts/844901/events/1720827/videos/7760012

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Obrigada!!! :D

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Short Bio / Pequena Bio

Bio (ENG)

Isabel Valverde is a trans-disciplinary performer, choreographer and researcher from Portugal. Develops experimental solo and collaborative intermedia performance art-dance work since 1986. Graduated in Dance History and Theory (UCR, 2004), Interdisciplinary Arts (IAC/SFSU), New Dance (SNDD/AHK) and Dance (FMH/UTL). Isabel’s doctoral thesis, Interfacing Dance and Technology: a theoretical framework for performance in the digital domain, has been translated to Portuguese and published by FCG/FCT (2010). After postdoctoral research on Dances and Technologies Valverde continues somatic and technological based performance within hybrid embodied interactions and the continuum of actualization and virtualization, at the CAT/IHSIS, Centre for Arts and Technologies/Institute for Human Studies and Intelligent Sciences, and VIMMI/INESC-ID (Visualization and Intelligent MultiModal Interfaces Group). Presently associate researcher at GAIPS/INESC-ID (Intelligent Agents and Synthetic Characters’ Group) and researcher at CIAC-UAberta, continues cross-disciplinary artistic practice-theory collaborations on mixed corporealities performative environments and cultures, including virtual and physical characters (avatars and robot NAO). Senses Places (w/ Todd Cochrane teal.), Blind Date and Touch Terrain (w/ Yiannis Melanitis). Organizes the Festival Danças Híbridas and the Posthuman Corporealities - Network Festival Symposium. Lectured at ESTAL, Escola Superior de Tecnologias e Artes de Lisboa, Lusófona University, Piaget Institute, and facilitates workshops on somatics-technological dances.

Developing experimental solo and collaborative performance work since 1986, Isabel performed in Portugal, Amsterdam, San Francisco, Los Angeles and Paris. Since 2002 she develops My Fado Dance: What Portugueseness?, a work-in-process transcultural solo using Portuguese Fado music, and video interaction. Towards the familiarization with new embodiments and human interactions as well as, in the continuum of actualization and virtualization, Isabel has been collaborating in participatory responsive and interactive environment projects, such as Blind Date, a participatory multimodal environment, with Y. Melanitis (Monaco Dance Forum 2002, 2006), IN TOUCH, a mixed reality performance based on costumed designed wearable touch sensor, with V. Zordan, K. Chi, V. Sundar, P. Chagas, (prototype performed at Siggraph 2005 - Cyberfashion Show, Los Angeles). More recently working collaboratively in works, such asTouch Terrain, with Melanitis (MDF, 2006), BlobDance with A. Moura (2006-), and Real Virtual Games with Todd Cochrane, A. Caramelo, Ru•mor• and others (with DGA Support 2008/09).

Bio (PT)

Isabel Valverde é performer, coreógrafa, e investigadora interdisciplinar, doutorada em História e Teoria da Dança pela Universidade da Califórnia, Riverside. Desenvolve a sua criação artística híbrida desde 1986, em solos e colaborações performativas interdisciplinares para o palco, site specific, ambientes interactivos multimodais telemáticos e em rede, vídeo e Internet. Coreográfa inicialmente em transversabilidade com materiais plásticos (tinta, som, areia) e, mais recentemente, com as possibilidades de interacção/interactividade analógico-digital corporalizada pelo movimento e toque híbrido na sua trans-substanciação noutros corpos e média. Desenvolve pós-doutoramento em dança-tecnologia como bolseira da Fundação para a Ciência e a Tecnologia, membro do Instituto para as Humanidades e Ciencias Inteligentes, associada ao Grupo de Visualização e Interfaces Multimodais Inteligentes/IST/UTL, e FCSH/UNL. Destaca como projectos, After the White Shower (1986), Baixo (com Cees Walburg Scmidt, 1990), Tomar Corpo (1993), Desígnios do Corpo (1996), Blind Date (com Y. Melanitis, 2002), Fado Dança (2003-present), Blob Dança (com Araújo, J.Costa, A. Moura, 2006-2009), Reais Jogos Virtuais (2006-2010), Weathering In and Senses Places (2011-present) com T. Cochrane, A. Moura, Y. Yoshida, J. Makime, Y. Sagara, K. Ishimoto, L. Solo, K. Babenko, S. Oh, S, Shilova, C. Gomes, P. Fernandes, N. Rothwell, Artica, and S. Cabral.

CV

ISABEL MARIA DE CAVADAS VALVERDE

Mailing Address: P.O. Box 49, 2801-299 Almada, Portugal

Email: isabelv63@yahoo.co m

Blog: http://isabelcvalverde.blogspot.com

Education

2001- 04 Ph.D. Dance History and Theory, emphasis on Dance and Technology, UC Riverside / Department of Dance, Dissertation title: “Interfacing Dance and Technology: a theoretical framework for performance in the digital domain”

1999-01 Ph.D. Student, Contemporary Performance and Culture, UC Davis / Drama Department

1996-98 M.A. Creative Arts: Interdisciplinary Arts, San Francisco State University / Inter Arts Center, Thesis title: “Challenging Body Perceptions: ‘new’ dance resisting and towards applications of ‘new’ technologies”

1988-91 Diploma New Dance, School for New Dance Development, Amsterdam College for the Arts, Amsterdamse Hogeschool voor deKunsten

1986-91 Licenciatura (Undergraduate degree) Dance, Dance Department, Lisbon Technical University

Awards/Fellowships/Grants

2006- Post-doctoral Fellowship, F.C.T./E.U., M.C.E.S., at Institute of Humane Studies and Intelligent Sciences; VIMMI/INESC-ID; and DCCATI/UNL, Portugal

2005-06 Post-doctoral Fellowship, F.C.T./E.U., Ministry of Science & Graduate Education, Portugal, at U.C. Irvine/Dept. of Dance/A.C.E., USA; Nottingham Trent University/Dept. of Art & Design: Performance/Live Art, UK; and Université de Paris VIII / Dept. de Dance, France

2003-04 Gluck Fellowship, “Dancing with Technologies,” UC Riverside, USA

2003-04 Dissertation Fellowship Award, UC Riverside, USA

2003-04 Phi Beta Kappa International Scholarship Award, UC Irvine, USA

2002-03 Humanities Graduate Student Research Grant, UC Riverside, USA

1999-03 PRAXIS XXI Program, F.C.T., Ministry of Science & Technology, Portugal

1997-99 Dance Studies Fellowship, Ministry of Culture, Portugal

1996-98 Fulbright/I.I.E. Program, Institute of International Education, Fulbright Commission

1992-93 Artistic Production Grant, Ministry of Culture, Portugal

1988-90 E.R.A.S.M.U.S., European Inter-University Exchange Program, EEC

Published Material

2010 Interfaces Dança-Tecnologia: um quadro teórico para a performance no domínio digital, portuguese translation of Interfacing Dance and Technology: A Theoretical Framework for Performance in the Digital Domain, doctoral dissertation published by the University Texts Edition of the Calouste Gulbenkian Foundation / Foundation for Science and Technology, February, Lisbon, Portugal

2009 «Weathering In/Com Tempo: an intervention towards embodying multimodal self- organizing environments», co-authored with Todd Cochrane, in SLACTIONS International Conference Proceedings, Braga Chapter and Second Life, Univ. do Minho, pp. 60-65.

2008 «Generating virtual environments for playful touch interactions: TOUCH TERRAIN», ISEA Conference Proceedings; Singapure

2007 “Touch Terrain: A Participatory Kinesthetic / Synesthetic Environment,” poster´s abstract, in Proceedings of 4^th Annual Intuition Conference and Workshop of Virtual Reality and Interactive Environments, Athens, Greece

2005 “Interfacing Dance and Technologies: towards a posthuman corporeality”, Proceedings of 28^th Annual Conference of Society of Dance History Scholars, Northwestern Univ. Illinois, USA

2005 “Catching the Ghosts in Ghostcatching: Choreographing Gender and Race in Riverbed/Bill T. Jones' Virtual Dance,” in Extensions: the on-line journal of embodied technologies, V2

2004 “Blind Date: developing a multisensorial interfacing experience,” in Body, Space, and Technology Journal,Volume 4, online journal,

2002 “Dance and Technology Interfaces: a theoretical framework for contemporary dance's engagement with information technologies,” Proceedings of Cosign 2002 - The 2nd International Conference on Computational Semiotics for Games and New Media, Augsburg, Germany

2001 “Embodied Shifts: Towards an Experiential Approach to Dance-Technology Interfaces,” with L. Naugle and F. Bevilacqua, Proceedings of the Multimedia Technology Applications Conference, UC Irvine, California, USA

1999 “Challenging Body Perceptions: ‘New’ Dance Resisting and Towards Applications of ‘New’ Technologies,” Proceedings of the International Dance and Technology Conference IDAT, Arizona State Univ., Tempe, Arizona, USA

Collaborative Performances/Dance Technology Work and Research

2009 Fado Mudo, w/ João Lima (portuguese guitar), AcercadaNoite Bar, Almada, PT,

2008 Real Virtual Games, Performance and Game Environment, w/ A. Caramelo, rumor, J. Gonçalves, I. Negrão, N. Valverde, et al., Festival Temps D'Images, LxFactory, Lisboa; http://reaisjogosvirtuais.blogspot.com

2007 Live-virtual reality work-in-progress performance, w/ J.Gonçalves, A. Caramelo, H. Figueiredo, I. Negrão, andothers, in Tedance residency at Teatro Aveirense, Aveiro;

2007- BlobDança multimodal performance interaction, w/ A. Moura, J. Gonçalves, et al., http://blobdance.blogspot.com

2006 Touch Terrain performative interactive environment, w/ Yiannis Melanitis and Tania Barr, Monaco Dance Forum, pp presentation, December, Monte Carlo, Monaco

2005 In Progress Performance w/ Stephan Jurgens and António Caramelo,TeDance in Ciclo Artistas em Trânsito-Divisão Central, MNHN/Sala do Veado, Lisboa http://divisaocentral.blogspot.com

2005 IN TOUCH, Prototype phase 1: interactive performance costuming with touch-based wearables, project initiator and mediator, interdisciplinary choreographic concept and methodology, with V. Zordan (VR & character animation programming), K. Chi (fashion designer), V. Sundar (sensor networks), P. Chagas and C. Esteves (digital music, max/MSP), T. Carter and Gabriel (augmented contact dance performance) SIGGRAPH 2005 - CyberFashion Show, LA Convention Center

2005 Singing G4’s Songs, participatory dance-music-text performance installation, by The

Adaptable Girls, Global Interfaces Workshop, UCR Group Performance, Improvisation Dance Festival, Highways Theatre, LA

2003-04 Contact Improvisation Performances, Monthly Art Walks, Riverside Art Museum, People’s Gallery

2003 In Between, dual sited telematic performance, between students at UCR and UCLA

2002-2004 Blind Date, multi-user interactive environment, with Yiannis Melanitis, Monaco Dance Forum, Monte Carlo

2000-02 Dancing in the Active Space, responsive installation, with L. Naugle, F. Bevilacqua, J. Crawford, and A. BonvinBevilacqua, UCR/Museum of Photography, Riverside

2001 Mediated Contact, with Stuart Phillips, Artists’ Television Access, San Francisco

1999 Tailor Made, with Margaret Tedesco and David, Theater Artaud, San Francisco

1991 Uerieriou, with Cees W. Schmidt, Final Ineke Sluiter Contest, Amsterdam

Baixo, with Cees W. Schmidt, Theater De Liefde, Amsterdam

1990 A Body Concert with Hanna Barbara and Gallio Group, Danslab Theatre, Amsterdam

1989 Time & Space (4 choreog./5 visual artists), Free Academy of Visual Arts, Den Haag

Kennismaking, with Marga Maria, Silos Festival, Amsterdam

Different Colors, with Matthias Schulze, Theater De Liefde, Amsterdam

1988 Green Travel, with Matthias Schulze, Lunch Performance, SNDD, Amsterdam

Choreography and Solo Dance Performance/Interdisciplinary Performance

2006- O Meu Fado: Que Portuguesidade?(work-in-progress), Maratona de Dança, Dia Mundial da Dança/BalletTeatro, Porto; Divisão Central - Ciclo Artistas em Trânsito, MNHN/Sala do Veado, Lisboa; (2007) Dança fora de Horas - Teatro Aveirense

2005 Ma Danse Fado (work-in-progress), Endosonado/Chantiers en Cours, Paris

2003-05 My Fado Dance: What Portugueseness? (work-in-progress), CMP/UC Riverside, Max10, and Caught Between Live/Video Dance Festival, Los Angeles

1997/98 Imagine You Later (duet), Artists’ Television Access; Venue 9 Theater, San Francisco

1995-96 Desígnios do Corpo, Dancer's Group Studio Theatre, Studio Valencia, San Francisco; Theater De Liefde, Amsterdam, Mostra Coreográfica ; Almada; Estrela 60 Theatre, Lisbon

1994-95 Tomar Corpo, São Luis Theater, Lisboa; Fontelo Garden, Viseu; ACARTE/ Calouste Gulbenkian Foundation, Lisbon

1993-95 Estados Transitórios (trio), Fontelo Garden, Viseu; Gandarinha Chappell, Cascais; Monumental Gallery, Natural History Museum, Lisbon; II Laboratory, Malaposta

1993 Escalada (20 participants), Praça da Figueira, Lisbon

Cada Um Para Seu Lado (quintet), Maria Matos Theater, Lisbon

Monólogo, Portuguese Video Dance Show, Lisbon Videoteca

1992 Fundamental Texto, VI Bienal Internacional de Arte de V. N. Cerveira

1990 A Movement Notation, School for New Dance Development, Amsterdam

1988 Pigmentos, II Meetings of Performance Art, Amadora

1986-88 Nihilominus, Monumental Gallery, Night Club, Lisbon; Beach, Costa da Caparica

1986 Depois do Duche Branco/After the White Shower, V Bienal Int. Arte, V.N.Cerveira http://www.youtube.com/user/isaval

Conference Presentations

Sept. 2009 «Weathering In/Com Tempo: an intervention towards embodying multimodal self- organizing environments», SLACTIONS International Conference, Braga Chapter and Second Life, Univ. do Minho, Portugal

June 2009 «Performing in between Embodied Modes of Experience: Real Virtual Games project in hybrid site-specific physical and Metaverse bodies and environments», in Dancing in Second Life Round Table, SDHS 32^nd Annual Conference: Topographies: sites, bodies, technologies, organizer and presenter, Stanford University, CA, USA

2009 Real Virtual Games Project: International Conference on Education in Second Life, Witheria, New Zealand

2009 Guest Speaker in Panel Comunicação, I.D. e os Novos Media, in Conferência ComunicarDesign 09, E.S.A.D., Portugal

July 2008 «Generating virtual environments for playful touch interactions: TOUCH TERRAIN», in ISEA/International Symposium for Electronic Art Conference Proceedings, Singapure

Nov. 2007 “Critical Intermedia Performance: practicing inclusive posthuman in Real Virtual Games' collaborative project “, Tedance Conference, Culturgest, Lisboa, Portugal

Oct. 2007 “Touch Terrain: A Participatory Kinesthetic / Synesthetic Environment,” Intuition- 4^h Annual Conference on Virtual Reality and Interactive Environments, Athens, Greece

Sept. 2007 “Interfaces Corpo-Máquina,” invited presenter, Fronte[i]ras Festival and Symposium, Pontevedra, Galiza

July 2006 “Political issues of funding contemporary hybrid, nomadic, transnational and cross cultural performative practices", Roundtable, at SDHS Annual Conference of the Society of Dance History Scholars, proponent and presenter, Banff, Canada

May 2006 Guest Speaker in Panel Comunicação, I.D. e os Novos Media, Conferência ComunicarDesign 06, E.S.A.D., Portugal

April 2006 Presentation on Blind Date in the Garden, TECHNE 06, International Istanbul Digital Performance Platform Istanbul, Turkey

Speaker in Working Group: ”Designing Perception”, I.E.T.M. – International European Theatre Meeting, ITU-Taşkışla, Istanbul, Turkey

“Cyborgs and Posthumans: Contributions by Contemporary Dance and Medical Technologies” The Anatomical Theatre Revisited, U. of Amsterdam, The Netherlands

Dec 2005 “Re-Tropping the Interface: towards alternative discourses about performance in the digital domain” Digital Cultures Lab & Radiator Symposium of Performance, Dance and Technologies Art, Nottingham Trent University, UK

June 2005 “Interfacing Dance and Technologies: towards a posthuman corporeality” Annual Conference of the Society of Dance History Scholars, SDHS, Northwest University, Chicago, Illinois, USA

April 2005 “Towards a Posthuman Corporeal Subjectivity: Interfacing Dance and Technology in CO3 by Company in Space,” Theory/Reloaded – Disjunctions 2005, UCR’s Twelfth Annual Humanities Conference, Riverside, CA, USA

August 2004 “Revolutionizing the HCI: Multimodal and Participatory Dance / Performance Applications of Emerging Technologies,” SIGGRAPH 2004 / Computer Graphic and Interactive Technologies Conference, Birds-of-a-feather: OZONE – Art, a-Life, Archeology, and Animation; and “Dance-Technology Research Update” Educators’ Program: The Computer Arts: Origins and Contexts, LA Convention Center, USA

June 2004 “Blind Date: An Intimate Multi-User Participatory Environment,” Community Performance Conference, Bryant College, Rhode Island, USA

July 2003 “Dance and Technology Research Overview,” SIGGRAPH 2003 / Computer Graphic and Interactive Technologies Conference – Birds-of-a-Feather: Digital Arts Histories, San Diego, USA

September 2002 “Dance and Technology Interfaces: A Theoretical Framework for Contemporary Dance’s Engagement with Information Technologies,” Cosign 2002 - The 2nd Int. Conf. on Computational Semiotics for Games and New Media, Augsburg, Germany

July 2002 “Choreographing Virtualities: Riverbed/Bill T, Jones’s Ghostcatching, and Sponge / Foam’s TGarden,” Technotopias Conference, Glasgow, Scotland, UK

March 2002 “Embodying the Virtual through Dance-Technology Interfaces: Riverbed / Bill T. Jones’s Ghostcatching,” Dance Under Construction IV, UC Riverside, CA, USA

October 2001 “Embodied Shifts: Towards an Experiential Approach to Dance-Technology Interfaces,” with L. Naugle and F. Bevilacqua, MTAC, UC Irvine, CA, USA

March 2001 “Performing the Shift: Getting Disoriented,” Dance Under Construction III, UC Davis, CA, USA

March 2000 “Perceiving a New Embodiment: Interactions between Dance, Communicative and Medical Computer Technologies,” Dance Under Construction II, UC Riverside, CA

February 99 “Challenging Body Perceptions: ‘New’ Dance Resisting and Toward Applications of ‘New’ Technologies,” IDAT99, Arizona State University, Tempe, AZ, USA

Video Dance Work

BLOBDANCE

Blog: http://blobdance.blogspot.com

August 2009 «Of Human and Blob Body Fragments»

August 2008 «BlobHumans», SDHS' Dance Screening Program: Dance and Technology Performances, Stanford

Sept. 2007 “Blob Draw”, videodance, presented at Frame Festival Internacional de Video Dança,

Porto, http://www.fabricademovimentos.pt/frame%202007/blob_draw.html

Blind Date

June 2007 video documentation of Blind Date participatory environment, presented at Metamapa, Aveiro, Portugal

Dance

2004 1 minute Video Festival, UCR/California Museu of Photography, Riverside, CA

Imagine You Later

2000 Festival de Video Danza, Italy - video version of performance technology project of the same title

Teaching Experience

Fall07- ULHT / DCCATI: Mestrado em Produção e Criação em Artes Tecnológicas

Lecturer, Human-Computer Interaction

Fall06/Winter07ILD / Escola Superior de Tecnologias e Artes de Lisboa: Lic. Artes Performativas

Lecturer, Contemporary Movement

May 06 UTL / F.M.H. / Departmento de Dança

Guest Professor, Master Seminar on Dance Aesthetics

Jan.-March 06 Université de Paris VIII / Department de Danse

Co-lecturer of History and Aesthetics of Dance and New Media, w/ Armando Menicacci and Emmanuel Quinz

Dec.04-Jul.05 Dance Home, Santa Monica, L.A. Facilitator, Contact Improvisation Class & Jam,

Feb. 04 UC Irvine / Department of Dance, CA, Guest lecturer, Dance-Technologies

Nov. 03 Sherman High School, Riverside, CA, Guest lecturer and workshop facilitator, Dance-Technologies

Nov. 02 UTL / IST / Department of Architecture

Guest Lecturer, Contemporary Dance-Technology Interfaces

2002-2003 UC Riverside / Department of Dance,

Spring 02/03 Instructor, DNCE 005 Introduction to Dance

1999-2001 UC Davis / Department of Theatre and Dance,

W-Sp00/Sp 01 Instructor, DRA 040 Beginning Dance Technique

Fall 00 Instructor, DRA 014 Introduction to Contemporary Dance

Fall 99 Teacher Assistant, DRA 001 Performance and Culture

1997-1998 San Francisco State University / Inter-Arts Center

Fall 97/Sp 98 Teacher Assistant, IAC 001 Inter-Arts: Theory and Practice

Spring 97 Teacher Artist, Dance Composition and Performance Course, Dance Dept.

1992-96 Escolas Públicas Primárias e Secundárias, Instructor, Physical Education and Dance,

Spring 96 Casa da Juventude de Almada, Facilitator, Dance Improvisation and Performance Workshop,

Sept.92-Jan.93 Companhia de Dança de Lisboa, Instructor, New Dance Technique,

Sept. 92 Lisbon Technical University/Dance Dept., Facilitator, Dance Improvisation Workshop,

Other Professional Activities

March 2006- Co-founder, organizer and facilitator of CILxJam - Contacto Improvisação LX Jam, with the support of Forum Dança, FC Gulbenkian (Garden), and SOU/Movimento e Arte, Fábrica do Braço de Prata, Lisbon

2005-06 Consultant Mocap Animation, TeDance -Technological Expanded Dance, Lisbon

Fall 2005 Associate Coordinator, Observer, Digital Cultures Lab & Radiator Symposium for Performance Dance and Technologies Art, Nottingham Trent Univ., UK

July 2005 Practical Researcher, Observer, Interactionslabor, Goetelborn, Germany

2004-06 Curatorial Committee member, Dance-Tech Consultant, Dance Camera West – Los Angeles Dance Film Festival, USA

Sept. 2002 Contributor, Wear Me! Network Exchange, Future Physical, Norwich, UK

Spring 2002 Performer and web camera, ADAPT#6 , with L. Naugle, UC Irvine, USA

August 2001 Observer, SWIPT – Summer Workshop of Interactive Performance Telematics, ASU, USA

2001-03 Conference Committee member, Dance Under Construction Conference, UCD-UCR, USA

1998-01 Founder/Curator/Producer, bi-monthly Evenings of Live-Video Dance;

Web Site developer; Computer Instructor, Mac Basics, Artists’ Television Access, S.F., USA

1998-99 Web Site developer, San Francisco Dancenet; Inter-Arts Center/SFSU, S.F., USA

1997-98 Production Internship: Publicity and Audio-Visuals, Venue 9 Theatre, S.F., USA

1997 Assistant Curator, Front House, Dancers’ Group Studio Theatre, S.F., USA

Production Internship: House Manager, The LAB/Inter-Arts Gallery, S.F., USA

Organizations

2007 Member of Vipulamati (Ample Intelligence)- Non Profit Association for the creative use of Media

2006 Member of VIMMI – Visual and Intelligent Multi Modal Interfaces Group, INESC-ID/IST/DEI,

2005 Member of SDHS - Society of Dance History Scholars

2005 Co-Founder of IHSIS – Institute for Humane Studies and Intelligent Sciences / Center for Arts and Technologies

2003 Member of Dance Camera West – Los Angeles Dance Film Festival

2003 Member of New York´s Dance for Camera Festival

1995 Co-Founder of NUDA – Núcleo de Dança de Almada

1992 Co-Founder of Divisão Central – Centro Pluridisciplinar para o Desenvolvimento da Expressão na Arte,

Hardware/Software Experience

Operating Systems - Mac OS X (Tiger), and PC (Windows) XP and lower

Text/Image Processing - Microsoft Word/Excel, Adobe Photoshop, PowerPoint/Keynote, QuarkXPress,

Video Editing - Adobe Premiere, Macromedia Media 100, Final Cut Pro CS

Motion Capture - System Vicon 8

Character Animation - 3D Studio Max’s Character Studio, LifeForms, Poser, Motion Builder

HTML/Web design/authoring - Page Spinner, Dream Weaver, Go Live, Google Sketch up

Sensor and mapping network systems - Max/MSP, Soft VNS, Bodysynth

Other Applications - After Effects, Macromedia Director, Flash, Maya, sysm, ivisit,

Performer/Dancer in Works by

Simone Forti, Mary Fulkerson, Mary Overlie, Yochico Chuma, Cathy Weis, Tony Thatcher, Karen Bernardt, Barbara Erichsen, Margaret Tedesco, Ana Galan, Carlos Gordilho, Teri Carter, Stefan Fabry/Rudy Perez

Dance Training/Workshops

Contemporary Dance: Jaap Flier, Ria Higler, Laurie Booth, Pauline de Groot, David Zambrano, Eileen Stanley, Kay Islar, Howard Sonenklar, Stephen Petronio, Celia Gouveia, Susan Rose

Improvisation: Simone Forti, Mary Overlie, Lisa Kraus, Malcom Goldstein, Barbara Ericksen, Sondra Loring, Ria Higler, Madalena Vitorino

Composition/Choreography: Susan Rethorst, Mary Fulkerson, Yochico Chuma, Karen Bernardt

Contact Improvisation: Kristie Simson, Natanja den Boef, K.J. Holmes, John Dowel, Carolyn Stuart, John Lefan, Kirk Andrews, Mary Herzog, Teri Carter, and others

Body-Mind Centering: Trude Cone, Howard Sonenklar

Alexander Technique: Eva Karczag

Release/Alignment Technique: Mary Fulkerson, John Rolland

Theater: Jenn Ben Yacov, Barbara Ericksen;

Action Theater: Sten Rudstorm

Hands-On: Naomi Duven, Howard Sonenklar

Cunningham Technique: Paula Massano, Margarida Bettencourt

Graham Technique: Karen Bell Karner, Helena Coelho

Limon Technique: João Afonso, Helena Coelho

Modern Jazz: Helena Coelho, Ana Macara

Tap Dance: Michel, Fred Striker

Ballet: Ruth Silk, Luisa Carles, Anna Mascolo, Helena Coelho, Igor

Video: Mark Tompkins, Nol Tilanus

Light: Dennis Gillander

Motion Capture: Lisa Naugle

Iyengar Yoga: Jacqueline Shea Murphy

Tai Chi: Seth Leon

Languages

Mother Language: Portuguese

Proficient in English and French

Reads and understands Spanish and Italian

isabel cava no vale verde

Senses Places @ 121212 UpStage

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